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  • ANIMA, stainless steel, 24" x 50" x 36", 2002. Model for a Monumental Walkway with site-specific scale.
    ANIMA, stainless steel, 24" x 50" x 36", 2002. Model for a Monumental Walkway with site-specific scale.
  • CHIEF, stainless steel/glass, 37" x 20" x 5", 2002. Model for larger piece, in homage to Native American artist George Morrison.
    CHIEF, stainless steel/glass, 37" x 20" x 5", 2002. Model for larger piece, in homage to Native American artist George Morrison.
  • DUELING CHEOPS, aluminum/wood, 31" x 57" x 15", 2004. This kinetic sculpture moves with a humorous exchange between two objects.
    DUELING CHEOPS, aluminum/wood, 31" x 57" x 15", 2004. This kinetic sculpture moves with a humorous exchange between two objects.
  • Both upper and lower elements of DUELING CHEOPS rock at a differing pace.
    Both upper and lower elements of DUELING CHEOPS rock at a differing pace.
  • STEEL MOM, steel, 60 x 30 x 20 in, 2005. Engages viewers with spatial distortion and surface texture, which dances the light.
    STEEL MOM, steel, 60 x 30 x 20 in, 2005. Engages viewers with spatial distortion and surface texture, which dances the light.
  • STEEL MOM & CLONE, fabricated steel, 32" x 7" x 15", 2005. Beginning of a family series, 29" x 6" x 14".
    STEEL MOM & CLONE, fabricated steel, 32" x 7" x 15", 2005. Beginning of a family series, 29" x 6" x 14".

Perci Chester

Biography 

Perci Chester's work has been shown in solo and group shows, within museums and galleries, both nationally and internationally. She is the recipient of public commissions for large-scale outdoor works including Poriya Hospital Complex, Tiberias, Israel; North Beach public housing, San Francisco, CA; Ella Racing the Wind, 2006, Galleria, Edina, MN; and Gyr Family Cycle, 2009, installed in Promenade Park, Edina, MN.

Her sculpture has won several awards, including the Dayton Hudson, General Mills & Jerome Foundation Travel and Study Grant. The nature of her work stretches itself over a variety of mediums, as it is seen as a constant development, often expressing multiple forms in a single work.

Since graduating Washington University in St. Louis (BFA) and Rhode Island School of Design (MAT and MFA), Chester has been an exhibiting artist and educator. Her involvement includes both community-based arts programs, schools, and colleges around the country. She has held visiting artist positions at Macalister College, St. Paul, as well as Alvarado Art Workshop, San Francisco, and instructor positions at San Francisco City College and Minneapolis College of Art and Design.

She lives and works in Minneapolis, MN. Her studio is located in the warehouse district where she welcomes studio visits by appointment: 612.204.9664 or perci@percichester.com

Download CV

Related links 

Perci Chester's website

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News home

Study of effects of artistic engagement Alzheimer's patients

Alzheimer's Study

Posted by Katherine Koss 09.15.09, 08:15
Tagged Art, Museum, Degrees, Graduate, Events, Academics, Education, Research, Creative activity, Community, Students
Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883. Oil on canvas, 40 x 60 1/2".

This is the first in a series of posts about the Alzheimer's study. Please check back frequently for updates, and share your thoughts on the study below.

This summer eight MFA graduate students from the Sam Fox School completed a docent training program designed specifically for working with adults who have early-stage Alzheimer's disease, as part of a collaborative research study currently under way at the Kemper Art Museum.

Led by Mary Beth Hassan (MSN, MFA candidate), "Expanding a Visual Discourse: Art, Alzheimer’s and Aesthetics in the 21st Century," combines three unique perspectives – the artist, the educator, and the scientist – in an ongoing study of the effects of artistic engagement on the quality of life of adults with Alzheimer's disease. The program expands on the "Meet me at MOMA" program initiated by the Museum of Modern Art in New York City in 2006.

Hassan first became interested in the idea of starting up a similar study when she began to study at Washington University in 2006, and was encouraged by Patricia Olynyk, director of the Graduate School of Art, to take advantage of the ability to pursue multidisciplinary research as an MFA candidate. "I really wanted to do practical research that was fun, while also contributing to both science and art," Hassan said. "I realized that there was a unique opportunity for artists to have a role in creating community programs."

The goals of the study are threefold. The first is to establish a targeted docent training program for MFA graduate students that can be adapted to other institutions and community groups, and which teaches docents to facilitate discussions about art with program participants. The second is to combine forces with the Kemper Art Museum's Education Department to promote the use of the museums as a community resource. The third is to engage Alzheimer's patients in a proactive activity — a conversation stimulated by art — and to then evaluate the dialogue to better understand the effects of artistic engagement on the quality of life experiences for those who have Alzheimer's disease.

In addition to collaborating with the Museum, Hassan has worked with Dr. James Galvin, associate professor of neurology, who's in charge of Education & Rural Outreach at Washington University's Alzheimer's Disease Research Center. His focus has been on promoting an interesting educational model that encourages positive life experiences for the Alzheimer's patients.

"This study is unique to the field of Alzheimer's research because it combines an educational component with a scientific design that focuses on both qualitative or descriptive documentation and quantitative data," Hassan said. "By combining the resources of the Kemper Art Museum and the Alzheimer's Disease Research Center, we have a unique opportunity to expand both the understanding and appreciation of art from multiple perspectives."

The next phase of this pilot study is to conduct the museum tours, document the discourse between patients and docents, and evaluate behavioral tools and data. That will lay the foundation for the development of a more rigorous and extensive study on the Alzheimer's disease process.

About the image: Frederic Edwin Church's Sierra Nevada de Santa Marta is the first work that will be discussed on the tour. Full credit information:
Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883.
Oil on canvas, 40 x 60 1/2".
Mildred Lane Kemper Art Museum, Washington University in St. Louis.
Bequest of Charles Parsons, 1905.

Comments

Carmon Colangelo
September 20, 2009 10:20am

Mary Beth, Good to see you pursuing this area of research and service. I will be interested in the results and findings of the study and appreciate the collaborative effort- engaging Alzheimer's patients- Dr. Galvin and the Kemper. Carmon

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